There are many things that I love about Rushmore (1998), the second film directed by Wes Anderson and the first that he co-wrote with frequent collaborator Owen Wilson. I adore its airtight structure, idiosyncratic sense of humor, and secret sense of warmth. But more than anything, I love how Anderson and his collaborators develop their… Read more »
Director Mary Harron’s film American Psycho (2000) was a sensation when it was first released. It was a financial success, received mostly positive reviews, and gained notoriety for how it depicted the violent sensibility of author Bret Easton Ellis’s infamous novel. But it was not just popular then, and continues to remain popular now, for… Read more »
I first encountered Suspiria (1977) as a freshman at IU, when one of my floormates invited everyone to watch it with him in the lounge. I had mostly avoided scary movies when I was younger but I decided to try this one. Everything about it blew me away, but I was especially drawn to the… Read more »
One of the many things that is fascinating to me about cinema is what happens when artists tell the same story in different ways. I love how they make bold choices when adapting a work of art which causes it to feel original and fresh, while at the same time honoring the qualities which made… Read more »
This July, Establishing Shot presents It’s Revived!, a miniseries celebrating some of our favorite (or at least some of the more fascinating) movie remakes out there in anticipation of IU Cinema’s fall film series Re:Made. Up first, Jesse Pasternack discusses how Michael Mann turned a TV movie into a stone-cold cinematic classic. Every cinema enthusiast… Read more »
This June, Establishing Shot will feature a miniseries we’re calling Here’s Looking at You, 2002 as we take a look back at films celebrating their 20th anniversary this year. Up first, we have Jesse Pasternack’s appreciation of a Steven Spielberg classic that deserves a reappraisal. It might seem strange to describe Catch Me If You… Read more »