Jesse Pasternack reveals how the Coen Brothers turn noir elements on their head with visual gags, a rambling voiceover narration, and the iconic, carefree protagonist at the center of it all. There are few types of films which have as many distinctive characteristics as film noir. Just hearing or reading those words — “film noir”… Read more »
Entries by Jesse Pasternack
Trainspotting Is a Blast
There are certain films that, if you see them at the right age, will never leave you. They become a part of your life in the way that favorite albums or books do. You might find yourself quoting it every now and again, or thinking about how a shot or a song choice thrilled you… Read more »
The Heroic Trio Must Be Seen to Be Believed
It’s hard to watch The Heroic Trio (1993) and not feel like you’re seeing one of the most entertaining movies ever made. Its collection of gonzo delights (some of which are best left unspoiled) and imaginative sense of worldbuilding make it a treat for fans of cinema that is a little off the beaten path…. Read more »
The Card Counter (2021) and the Pleasures of “Another One”
When A24 distributed writer-director Paul Schrader’s film First Reformed (2017), there was talk that it would be the last film he ever made. Schrader had recently turned 70. The critical and financial success of First Reformed — complete with Schrader’s first-ever Academy Award nomination for its screenplay — would have made it a high note… Read more »
Never Rarely Sometimes Always (2020) and the Hero’s Journey
There are many films which seem to be influenced by Joseph Campbell’s famous book The Hero of a Thousand Faces (first published in 1949), which is about his conception of an archetypal storytelling pattern known as “the hero’s journey.” They include but are not limited to Star Wars: Episode IV – A New Hope (1977), The Lion… Read more »
The Exceptional Use of Voiceover in The Love Witch (2016)
When most people think of The Love Witch (2016), the first things that come to mind are visual. They might remember a colorful costume or a stunning set that were designed by the film’s writer-director-producer-editor-songwriter/arranger Anna Biller, or an impeccably framed close-up of its unforgettable protagonist, Elaine (perfectly played by Samantha Robinson). But while I… Read more »