There are few movie musicals more beloved than The Sound of Music (1965). In its day it was a massive success, and if you adjust its earnings for inflation, it remains the most successful movie musical of all time. It seems fitting then that this adaptation of the Broadway hit of the same name has… Read more »
Leave Her to Heaven (1945) is one of the odder mainstream American films I’ve seen from the 1940s. Its plot involves the archetypes and interest in the dark side of humanity that are trademarks of film noir, but boasts colorful cinematography that feels like it belongs in a 1950s melodrama. The pacing isn’t even, but… Read more »
There are a lot of things I love about What We Do in the Shadows. I adore the great comedic performances, its hilarious subversion of the vampire subgenre, and its subtle worldbuilding. But more than anything, what I really admire about What We Do in the Shadows is how co-directors Jemaine Clement and Taika Waititi… Read more »
If I had to describe Cruella (2021) in one word, it would be unexpected. Everything about it — from its sympathetic portrayal of one of Disney’s most iconic villains to its 1970s London setting — feels like a curveball. But what most surprised me about this film wasn’t its third act plot twist or its… Read more »
If I had to describe Sergei Bondarchuk’s 1966 version of War and Peace in one word, it would be “big.” Almost everything about it — from its seven-hour running time to its famous battle sequences — conveys an epic scale the likes of which few films attempt, much less achieve. But while it remains famous… Read more »
Who’s Afraid of Virginia Woolf? (1966), which turns 55 on June 22nd, is best known for its performances. It features Academy Award-winning turns from Elizabeth Taylor and Sandy Dennis, as well as very effective work from Richard Burton and George Segal. But to view this film as merely a collection of great acting is to… Read more »