IU Music Theory at the AMS-SEM-SMT 2022 Joint Annual Meeting
November 10-13, 2022
Hilton New Orleans Riverside | New Orleans, Louisiana

All times are EST

---

Conference Schedule

Thursday, November 10

2:15–3:45 pm

Session: Outlanders, Irritations, and Roving Harmonies
Matthew Boyle (PhD 2018; University of Alabama), Rossini’s reizend Melodies: Strategic Musical Irritation and the Capturing of Attention

Session: BIPOC Female Voices
Victoria Malawey (PhD 2007; Macalester College), Chair

---

Friday, November 11

8:00–10:00 am | Poster Session

Michael Baker (PhD 2007; University of Kentucky), Karate Kid Pedagogy and Interdisciplinary Priming in the Music Theory Curriculum
Sara Bakker (PhD 2013; Utah State University), Studying the Piano Etude: Virtuosity, Perfection, and Disability
Timothy Kern Chenette (PhD 2013; Utah State University), Amelia Merkley, Ryan Becker, Meghan Hatfield, Is Harmonic Dictation Effective?

9:00 am–12:00 pm

Session: Analyzing Hip-Hop through the Music of Daniel Dumile
SMT Graduate Student Workshop with Prof. Kyle Adams

9.00–10.30 am

Session: Narrative in Popular Music
Samantha Waddell, Storytelling Through Metric Manipulation in Popular Music

Session: Rethinkings and Critiques
Mariusz Kozak (post-doc 2012‑13; Columbia University), Rethinking the Meaning of Emotion in Leonard Meyer’s Emotion and Meaning in Music

10:45 am–12:15 pm

Session: Changing Careers: What I Wish I’d Known (SMT Professional Development Committee)
Michael McClimon (PhD 2016; Fastmail), presenter

Session: New Insights from the History of Music Theory
Abigail Shupe (MM 2009; Colorado State University), Annie Koppes, “Suspend the tweezers from your face”: Repeating Rameau’s Experiments in Génération harmonique

Session: Phrase Structures
Nathaniel D. Mitchell (MM 2015; University of North Carolina Greensboro), Rethinking Phrase Structure in Eighteenth-Century Music: Situation-Specific Models and ad hoc Hybrids

2:15–3:45 pm

Session: Cognition and Semiotics
Prof. Andrew Goldman, Neuroscience in Music Research: Critical Challenges and Contributions

2:15 pm–5:30 pm

Session: New Analytical Perspectives on Hip-Hop, EDM, and Post-Millennial Pop
Stephen Gomez-Peck (MM 2018; University of Alabama), Inter-Rotational Form in Trap-Influenced Hip-Hop
Mitchell Ohriner (PhD 2011; University of Denver), Enjambment and Related Phenomena in Rap Delivery

Session: Facts, Fictions, and the Musicological Imaginary
Frederick Reece (post-doc 2019–20; University of Washington), presenter 

4:00–5:30 pm

Session: Formal Ambiguities and Disruptions
Prof. Roman Ivanovitch, Surprise Tactics: A Haydn Habit of Disruption

Session: Riemannian, Neo-Riemannian, and Transformational Theory
Prof. Julian Hook, Chair

---

Saturday, November 12

9:00–10:30 am

Session: Embodiment
Jessica Anne Sommer (PhD 2018; Lawrence University), Embodying Sexual Abuse in Voice: Babbitt’s Philomel

Session: Mappings
Leah Frederick (PhD 2020; University of Michigan), Violin Fingerboard Space

7:00 pm–9:00 pm | Cambridge Room (Second Floor)

Indiana University Reception (Hosted by the departments of Music Theory, Musicology, and Folklore & Ethnomusicology)

 

---

Sunday, November 13

8:30-10:30 am

Session: Sound, Infrastructure and Lived Experience
Gabriel Lubell (DM 2013), The Sonic Allure of Water Infrastructure, and co-chair

9:00–10.30 am

Session: Vocal Timbre
Prof. Michèle Duguay, Chair

10:45am‑12:15 pm

Session: Modulatory Plans
Prof. Simon Prosser, Tonal Hierarchy as Schema

Session: Eclectic Idiolects
Bruno Alcalde (MM 2012; University of South Carolina), Chair
Prof. Kyle Adams, Untangling Lusitano’s Chromaticism