IU Music Theory at the AMS-SEM-SMT 2022 Joint Annual Meeting
November 10-13, 2022
Hilton New Orleans Riverside | New Orleans, Louisiana
All times are EST
Conference Schedule
Thursday, November 10
2:15–3:45 pm
Session: Outlanders, Irritations, and Roving Harmonies
Matthew Boyle (PhD 2018; University of Alabama), Rossini’s reizend Melodies: Strategic Musical Irritation and the Capturing of Attention
Session: BIPOC Female Voices
Victoria Malawey (PhD 2007; Macalester College), Chair
Friday, November 11
8:00–10:00 am | Poster Session
Michael Baker (PhD 2007; University of Kentucky), Karate Kid Pedagogy and Interdisciplinary Priming in the Music Theory Curriculum
Sara Bakker (PhD 2013; Utah State University), Studying the Piano Etude: Virtuosity, Perfection, and Disability
Timothy Kern Chenette (PhD 2013; Utah State University), Amelia Merkley, Ryan Becker, Meghan Hatfield, Is Harmonic Dictation Effective?
9:00 am–12:00 pm
Session: Analyzing Hip-Hop through the Music of Daniel Dumile
SMT Graduate Student Workshop with Prof. Kyle Adams
9.00–10.30 am
Session: Narrative in Popular Music
Samantha Waddell, Storytelling Through Metric Manipulation in Popular Music
Session: Rethinkings and Critiques
Mariusz Kozak (post-doc 2012‑13; Columbia University), Rethinking the Meaning of Emotion in Leonard Meyer’s Emotion and Meaning in Music
10:45 am–12:15 pm
Session: Changing Careers: What I Wish I’d Known (SMT Professional Development Committee)
Michael McClimon (PhD 2016; Fastmail), presenter
Session: New Insights from the History of Music Theory
Abigail Shupe (MM 2009; Colorado State University), Annie Koppes, “Suspend the tweezers from your face”: Repeating Rameau’s Experiments in Génération harmonique
Session: Phrase Structures
Nathaniel D. Mitchell (MM 2015; University of North Carolina Greensboro), Rethinking Phrase Structure in Eighteenth-Century Music: Situation-Specific Models and ad hoc Hybrids
2:15–3:45 pm
Session: Cognition and Semiotics
Prof. Andrew Goldman, Neuroscience in Music Research: Critical Challenges and Contributions
2:15 pm–5:30 pm
Session: New Analytical Perspectives on Hip-Hop, EDM, and Post-Millennial Pop
Stephen Gomez-Peck (MM 2018; University of Alabama), Inter-Rotational Form in Trap-Influenced Hip-Hop
Mitchell Ohriner (PhD 2011; University of Denver), Enjambment and Related Phenomena in Rap Delivery
Session: Facts, Fictions, and the Musicological Imaginary
Frederick Reece (post-doc 2019–20; University of Washington), presenter
4:00–5:30 pm
Session: Formal Ambiguities and Disruptions
Prof. Roman Ivanovitch, Surprise Tactics: A Haydn Habit of Disruption
Session: Riemannian, Neo-Riemannian, and Transformational Theory
Prof. Julian Hook, Chair
Saturday, November 12
9:00–10:30 am
Session: Embodiment
Jessica Anne Sommer (PhD 2018; Lawrence University), Embodying Sexual Abuse in Voice: Babbitt’s Philomel
Session: Mappings
Leah Frederick (PhD 2020; University of Michigan), Violin Fingerboard Space
7:00 pm–9:00 pm | Cambridge Room (Second Floor)
Indiana University Reception (Hosted by the departments of Music Theory, Musicology, and Folklore & Ethnomusicology)
Sunday, November 13
8:30-10:30 am
Session: Sound, Infrastructure and Lived Experience
Gabriel Lubell (DM 2013), The Sonic Allure of Water Infrastructure, and co-chair
9:00–10.30 am
Session: Vocal Timbre
Prof. Michèle Duguay, Chair
10:45am‑12:15 pm
Session: Modulatory Plans
Prof. Simon Prosser, Tonal Hierarchy as Schema
Session: Eclectic Idiolects
Bruno Alcalde (MM 2012; University of South Carolina), Chair
Prof. Kyle Adams, Untangling Lusitano’s Chromaticism