Fridays, 12:30-1:30 PM — Room SM344, unless otherwise noted
(SM344 is in the Simon Music Center, 3rd floor)
SPRING 2024 SCHEDULE
- January 12: Halina Goldberg, “The Jewish Inn in the Polish National Ballet”
- January 19: Samantha Hark, “As the Parish Was Perishing: A Theological Perspective on Black Musical Activism During the AIDS Crisis in the United States”
- January 26: Sarah Sabol, “Taking Up the Cross: Difficulty, Effort, and Contemplation in Three Cruciform Riddles”
- February 2: Ayana Smith, “Inclusive Music Histories: On Origins, Belief, and the Power of Listening”
- February 23: GTA / GMA Symposium
- March 1: Daniel R. Melamed, “J. S. Bach, Multiple ‘Parallel Proportions,’ and U. S. Tax Enforcement”
- March 8: Alessandra Jones, “Collecting Impulses: Folklore, Music, and Informal Empire in Nineteenth-Century Italy”
- March 15: [Spring Break, No Colloquium]
- March 22: Peter Burkholder Lecture Series | Ford-Crawford Hall (Simon Music Center)
William Gibbons (SUNY Potsdam), “Ode to Joysticks: Canonic Fantasies and the Beethoven of Game Music” - April 5: Professional Development Workshop: On Publication
(A panel with Ayana Smith, Noriko Manabe, and Sergio Ospina Romero) - April 12: Sarah McDonie, “Reclaiming Connection through One Turtle and Billions of Cells: A Cybernetic Approach to the Work of Meredith Monk”
- April 19: Iryna Yahodzynska, “Ukrainian music of wartime”
- [POSTPONED] April 26: Peter Burkholder, “Schoenberg, Ives, and the Evocation of the Familiar”