Fridays, 12:45–1:45 PM — Room SM344, unless otherwise noted
(SM344 is in the Simon Music Center, 3rd floor)
SPRING 2025 SCHEDULE
- January 17: Ayana Smith, “Deathly Images: Discourses of Sight and Sound in Handel’s London Operas.”
- February 7: Giovanni Zanovello, “The Friars of Cafaggio: A Lecture Under the Porch.”
- February 21: 31st Symposium of Research in Music, Jacquelyn Sholes, “Atonality and Meaning in Selected Songs of Leonard Bernstein.” [in Ford Hall]
- March 7: Phil Ford, J. F. Martel, and Jacob Foster, “Care of the Dead: Ancestors, Traditions, and the Life of Cultures.”
- March 28: Travis Whaley, “The Coexistence of Organ Tablature and Thoroughbass in the Seventeenth Century.”
- April 11: Alejandro L. Madrid, “Silvio Rodríguez’s Días y flores. Microhistory of a Utopia at the End of History.”
- April 18: Paul Borg, “From a Pope’s Pen to the Lilly Library: A Broader Background for the Guatemalan Manuscripts in the Lilly Collection.”
- April 25: Nicolette van den Bogerd, “Grieving French Soldiers From Exile: Alexandre Tansman’s Symphony No 6.”