November 10-13, 2022
2022 Joint Annual Meeting Website
Hilton New Orleans Riverside | New Orleans, Louisiana
Conference Schedule
Wednesday, November 9
3:00 pm
Patrick Domico, “Composing Refuge: Medtner as Theorist”
(Identity in Music Theory and History Pre-Conference)
Thursday, November 10
8:00 am
Christopher J. Smith (Texas Tech University, chair) “Reclaiming the Commons: Scottish and Irish Gaelic Musical Traditions”
10:00 am
Robert B. Wrigley (CUNY Musicology PhD candidate), “Earnestness, Wit, and Attention: The Rhetoric of Return in Haydn’s Finales”
(Haydn Society of North America Pre-Conference)
1:45 pm
Sergio Ospina Romero, “The Idea of “Jazz” in the Spanish-Speaking Caribbean, 1917-1925: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment”
4:00 pm
Nicolette van den Bogerd, “Composing the Polish Jewish Past: The Politics of Memory in Szymon Laks’s Elégie pour les villages juifs”
Lisa Cooper Vest (University of Southern California), “Beyond the Screaming Point: Questions about Subjectivity and Screaming in Cult Possession Films”
Friday, November 11
9:00 am
Andrew L. Barrett (Northwestern), “Truth Pacts, Faux Memoirs, and Operatic Adaptation: The Case of Francesco Lotoro’s Misha e i lupi”
12:30 pm
Jillian Rogers (chair, presenter), AMS Music, Sound, and Trauma Study Group Business Meeting
2:15 pm
Stewart Duncan (UMKC), “Does One Desire Cultural Night to Descend?”: Alan Bush, Handel’s Belshazzar, and Anti-fascist Singing in Interwar England
4:00 pm
Christine Elizabeth Wisch, “(En)Gendering Music in El Correo de las Damas (1833–1835)”
Jingyi Zhang (Harvard University), “Parallel Worldbuilding in Indie Opera: The Industry’s Sweet Land (2020)”
Saturday, November 12
9:00 am
Daniel Bishop, “Gaston Bachelard and the Imaginal Soundtrack in Andrei Tarkovsky’s Solaris (1972)”
Kunio Hara (University of South Carolina, presenter), Panel: “How to Integrate Global Music History in Our Teaching”
Laura K.T. Stokes (Brown University), “The Roma in Meyerbeer’s Operas”
10:45 am
Jillian Rogers, “Investigating & Addressing Gendered Abuse in 21st-Century Music-Academic Institutions”
Kerry O’Brien (Cornish College of the Arts) “’Aspects of Minimalism’: Revisiting the Experimental Canon Through WKCR’s 1980 Radio Festival”
12:30 pm
J. Peter Burkholder (session chair), “Securing Your Legacy: Planned Giving and the AMS”
2:15 pm
Mingfei Li, “’Ten Years of Turbulence’: Music and Musicians during the Chinese Cultural Revolution”
8:00 pm
Jillian Rogers (chair), Panel: “Considering Trauma Across Music and Sound Disciplines”
7:00 pm–9:00 pm | Cambridge Room (Second Floor)
Indiana University Reception (Hosted by the departments of Music Theory, Musicology, and Folklore & Ethnomusicology)
Sunday, November 13
9:00 am
Alessandra Jones, “The Piedigrotta Festival and the Mysterious Origins of Neapolitan Song”
Jillian Rogers (presenter), “Trauma-Informed Pedagogies for Music History Educators”
10:45 am
Elizabeth Frickey, “Environmental Currents: Between the Technological and the Ecological in the Works of Pauline Oliveros and Annea Lockwood”
Rika Asai (University of Pittsburgh), “‘There is much to do which is thoroughly worthwhile doing in that little empire of mountains and valleys’: Roy Harris and the 1949 Summer Music Festival in Logan, Utah”
Marysol Quevedo (University of Miami, chair) “Borderlands and Acoustemologies in Contact”
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