Known for their hypernaturalistic, slow but rhythmic dramas that invariably concern the struggles of one or more working class characters, Jean-Pierre and Luc Dardenne are Belgian’s most renowned filmmakers. The brothers began working in documentaries in the 1970s and in these early works one can already see the gradual formation of their signature styles — austere, methodical, a hand-held camera, use of available light, an absence of non-diegetic music, the observation of everyday tasks, and a sense of moral weightiness that centers on a taciturn protagonist. (more…)




