Louise Brooks and Francis Lederer in Pandora’s Box Ever wonder how a deteriorating film can be given a second life? Ahead of our Silent Movie Day screening of the new 2K restoration of the 1929 masterpiece Pandora’s Box, learn more about this incredible film, its far-reaching cultural and cinematic impact, and the painstaking lengths it… Read more »
Video Essays
Comedy and Horror Teach Frank a Lesson in Scrooged
A Christmas Carol is an inherently moralistic tale, cautioning us to nurture social bonds and give generously of our time and money to help others. Richard Donner’s 1988 adaptation of this Dickens Christmas classic is no different. Scrooged embraces the “true meaning of Christmas” (as the Grinch might say) and guides its Scrooge protagonist, television… Read more »
What do we see? When we see The Descent
When film reviewers wrote about The Descent (Neil Marshall, 2005) during its U.S. theatrical release in August 2006, many displayed an interesting contradiction. They often praised the film for departing from hypersexualized depictions of its women protagonists, but then used sexualized language in their reviews to describe the actors. In some instances, reviewers interpreted the… Read more »
Beyond Gender Tropes: The Final Girl & the Madman in 1980s Camp Slashers
In 1996’s Scream (Wes Craven), we learned the rules of the slasher genre. Depraved male killers stalk teenagers who get out of line. Only the virginal woman — the Final Girl — survives. All other sins will be punished, especially and particularly women who show their breasts and have sex. The term “Final Girl” originates… Read more »
Oja Kodar & The Male Gaze: An Imaginary Dialogue with Laura Mulvey
One of the more memorable moments in F for Fake (Orson Welles, 1973) has seemingly little to do with the main plot about Elmyr de Hory and art forgeries. Toward the beginning of the film, Oja Kodar walks along the street in a mini-dress, and a slew of men ogle her as she passes. “Girl… Read more »
Sound Design in Claire Denis’ Trouble Every Day
Much has been made of the fleshiness of Claire Denis’ 2001 horror film, Trouble Every Day. With its cannibalistic and erotic themes, the film almost demands a tactile analysis. But in my most recent viewing of Trouble Every Day, I was struck by its uncanny sound design. The sound does not call attention to itself… Read more »