November 7–10, 2024
2024 Annual Meeting | Jacksonville, Florida
Hyatt Regency Jacksonville Riverfront
Indiana University Jacobs School of Music Networking Reception
9:00–11:00 PM | City Terrace 5
(Prospective students, click here.)
IU Music Theory SMT 2024 Event Schedule
View the Searchable Online Program
All times are EST
Thursday, November 7
2.15–3.25 pm | City Terrace 9 | Session: Hypermeter and Phrase Rhythm
Samantha Harris Waddell (PhD student), From Old-Time to “Hard Times”: Phrase Rhythm and Prosody in the Music of Tyler Childers
2.15–3.25 pm | City Terrace 12 | Session: Understanding Music Theory Through Labor, Law, and Technologies
Calvin Peck (PhD 2022), “AI, Copyright Law, and Musical Modernism’s Authorial Collapse”
3.30–5.30 pm | River Terrace 3 | Session: Just Two Cents on Tuning
Nathan Lam (PhD 2019), “Solfège Set Theory”
4.00–5.30 pm | City Terrace 9 | Session: Formal Frictions in Tonal Music
Diego Cubero (PhD 2014), “The Romanticization of the Rounded Binary in Robert Schumann’s Music”
Friday, November 8
8.00–9.30 am | St. Johns | Poster Session
Stanley Ralph Fink (MM 2011), “A Comparison of the Accuracy of Two Algorithms for Predicting the Behavior of ‘Soul Dominants’ in the McGill Billboard Corpus”
Joseph Grunkemeyer (PhD student), “Analyzing Patrick Stump’s ‘Soul Voice’: Vocal Timbre as a Signifier of Style and Genre”
Brent Yorgason (PhD 2009), “Exploring Form in Popular Music with Timeline Share”
9.00–10.30 am | River Terrace 3 | Session: Proximate Spaces: Reading Through Text, Intertext, and Recomposition
Jonathan Guez (MM 2008), “What Schubert Learned from Goethe”
2.15–3.45 pm | City Terrace 7 | Session: Don’t Bore Us – Take it to the … Prechorus?
Caleb Mutch (post-doctoral scholar 2017–2019), “Enter the Prechorus: Producing Intensification in Two Recent Taylor Swift Songs”
2.15–3.45 pm | City Terrace 9 | Session: Harmonic Perceptions: Analytical Styles in Chromatic Harmony
Wade Alan Voris (PhD student), “Sonic Experience: A Kurth Inspired Analysis”
4.00–5.30 pm | City Terrace 12 | Session: Punk, Reggaeton, Rap
Prof. Kyle Adams, Chair
Tori M Vilches (PhD student), “‘Sex Sells’: A Decolonial Analysis of Purplewashing and Sexual Narrative in the Women of Reggaeton”
4.00–6.00 pm | 3rd Floor Skybridge | Public Music Theory Poster Exhibit
Sara Bakker (PhD 2013) & Andrew Gades, “Does Music Theory Matter?”
Joseph Grunkemeyer (PhD student), “Analyzing Patrick Stump’s ‘Soul Voice’: Vocal Timbre as a Signifier of Style and Genre”
Brent Yorgason (PhD 2009), “Exploring Form in Popular Music with Timeline Share”
5.30–6.30 pm | Conference Center B | Prospective Graduate Student Fair
Saturday, November 9
9.00–10.30 am | City Terrace 9 | Session: Theoretical Crossings: New Applications
Simon Prosser (MM 2012), “Shostakovich, Lowered Modes, and SLIDE”
10.45 am – 12.15 pm | City Terrace 12 | Session: Haydn’s Middles
Prof. Roman Ivanovitch, Chair
10.45 am – 12.15 pm | River Terrace 3 | Session: Prosody and Text Setting in Popular Music
Alexander Michael Shannon (PhD student), “‘All the Lonely Starbucks Lovers”: Prosodic Dissonance in Taylor Swift’s Discography
Prof. Noriko Manabe, “The Development and Artistry of Text-Setting in Japanese Rock: Happy End and the Great Japanese Rock Debate (1970)”
9.00–11.00 pm | City Terrace 5 | IU Jacobs School of Music Networking Reception
Sunday, November 10
9.00–10.30 am | City Terrace 7 | Session: Analyzing Style & Blues
Clifton Boyd (MM 2012), Chair
9.00–10.30 am | River Terrace 3 | Session: Dance and/as Music Analysis
Prof. Amy Ming Wai Tai, Rethinking Musical Metaphors Through Dance
9.00–11.00 am | City Terrace 9 | Session: Tragedy, Liturgy, and Myth Across Cultures and Genres
Mitchell Ohriner (PhD 2011), “Listening to Acculturation in Chazzan David Kusevitsky’s Cantorial Recitative ‘L’eil Boruch’”
9.00–11.00 am | City Terrace 12 | Session: Applying Sets and Cycles
Justin Lavacek (PhD 2011), “Plotting Medieval Polyphony: An Enchiriadis Tonnetz”
10.45 am–12.15 pm | City Terrace 7 | Session: Popular, Internet, and Video Culture
Isaac William Smith, Ph.D. minor, The Mashups of Mouth Moods: Parody and Intertextuality in Neil Cicierega’s Third Album
11.15 am – 12.15 pm | City Terrace 9 | Session: Two Perspectives on Lili Boulanger
Matthew Bilik (MM 2015), “Flat Scale Degree Seven and Lost Love in Lili Boulanger’s Clairières dans le ciel”
11.15 am – 12.15 pm | River Terrace 2 | Session: Musical Processes and Empirical Methodologies
Prof. Andrew Goldman, “The Contingency of Music Cognition”
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