Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Tag: thriller films
Q+ presents: The Handmaiden (2016)
In Japan-ruled 1930s Korea, a new handmaiden is hired to attend to a Japanese heiress who lives a secluded life with her domineering uncle. But the handmaiden harbors a secret that threatens her lady’s fortune and freedom. As the handmaiden puts her plan into action, unexpected connections throw a carefully calibrated scheme into a labyrinth… Read more »
Monthly Movie Round-Up: October 2024
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Food for Thought: Audrey Hepburn in Charade
Cary Grant and Audrey Hepburn in Charade While there is much to love about Stanley Donen’s romantic thriller, Michaela Owens tucks into one specific aspect that makes Audrey Hepburn’s character so entertaining. Reggie Lampert is terrified. Her husband, Charlie, has been murdered. A trio of dastardly men are after the $250,000 he stole from them,… Read more »
Duplicity, Deception, and Detail: The Cinematic World of John le Carré
Richard Burton in The Spy Who Came in from the Cold Before his introduction to our upcoming screening of the John le Carré adaptation The Spy Who Came in from the Cold, IU Chancellor Michael A. McRobbie shares a preview of his remarks on the film and le Carré’s legacy. The renowned British author John… Read more »
“One Day You’ll Wake Up and You’ll Discover It Never Happened:” Collateral and Michael Mann’s Digital Existentialism
A cab barrels through the amber Los Angeles night In honor of its 20th anniversary this month, Chris Forrester dives into the Michael Mann thriller Collateral, the first film to really foreground the digital style that has defined the filmmaker’s career since. While for the majority of filmgoers, the transition from film to digital might… Read more »