Still from Bram Stoker’s Dracula Chris Forrester bites into the cinematic history of the world’s most famous vampire and how filmmaker Francis Ford Coppola transformed the story into an operatic, dazzling epic like none other. When I wrote last month about remakes, one film that consistently crossed my mind was Bram Stoker’s Dracula (Coppola, 1992),… Read more »
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
*Contains spoilers! Watch the film before you read!* Keanu Reeves’ beard proved challenging for the animation team of A Scanner Darkly (Richard Linklater, 2006). It’s patchy and inconsistent, requiring a high-degree of detail work to capture the tonal and textural variations across the actor’s cheek. A Scanner Darkly is made in an animation style called… Read more »
The end of the 2010s and the beginning of the 2020s marks a few important turning points in cinema that would seem out of the question in the burgeoning 21st century mindset of the 2000s. Keanu Reeves’s star has once again risen (I would argue we are in the third Keanu-ssance, the “Bronze Age” of… Read more »
“A man got to have a code.” — Omar Little from The Wire If there’s one contribution to cinema that Jean-Pierre Melville is most certainly “guilty” of, it would be his characters. Stoic anti-heroes, existential killers, and methodical men seem to pop up as the protagonists in so many of his films. It was the director’s… Read more »