Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Tag: French cinema
Monthly Movie Round-Up: June 2024
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Critics’ Pics presents: The Rules of the Game (1939)
A scathing critique of corrupt French society cloaked in a comedy of manners, The Rules of the Game (La règle du jeu) follows a group of wealthy friends, spouses, and lovers — and their servants — as they spend a weekend at a country château. When the tensions among them lay bare some ugly truths, tragedy… Read more »
International Art House Series presents: Anatomy of a Fall (2023)
For the past year, Sandra, her husband Samuel, and their 11-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, his suspicious death is presumed murder and Sandra becomes the main suspect. What follows is not just an… Read more »
Friday Night Frights presents: Trim Season (2023) and High Tension (2003)
Still from Trim Season A fantastic new entry in the horror genre, Trim Season follows Emma, jobless and searching for purpose, and a group of twenty-somethings from Los Angeles as they head up the coast to make quick cash trimming marijuana on a secluded farm in Northern California. Cut off from the rest of the… Read more »
The Spaces of Confinement: Bresson’s Physicality
Though the singular French filmmaker Robert Bresson was once thought of as a kind of transcendentalist, and was even discussed as such alongside Carl Dreyer and Yasujirō Ozu in Paul Schrader’s famous book Transcendental Style in Film (1972), more recent criticism on Bresson has pushed back against this as the dominant hermeneutic approach. If transcendentalist… Read more »