Rest in peace to the filmmaker who taught us how to see (and how to hear), who opened our eyes with his ferocious reconstruction of film form and with the emotional intensity of his images. Jean-Luc Godard’s cinema remains, above all, an attempt to restructure perception. His deeply sensual films seek to retrain our eyes… Read more »
Tag: French cinema
Monthly Movie Round-Up: June
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that… Read more »
Amandine Gay Reclaims the Narrative in Speak Up
Guest post by Julie Le Hegarat. The film Speak Up (Ouvrir la voix in French) opens with women talking about the event that first made them realize they were Black. These shared Fanon-like events set the tone for the rest of the film: what does it mean to be a Black woman in countries like… Read more »
Monthly Movie Round-Up: January
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Not-Quite Midnights presents: Titane (2021)
If you’ve heard anything about Titane since its release last year, you’ve probably heard it described as the movie where a woman has sex with a car. But Julia Ducournau’s Palme d’Or winner is infinitely more complex than that. It is also the kind of film that the less you know about it, the better… Read more »
Day (Dream) for Night
Guest post by Jon Vickers, IU Cinema Founding Director Emeritus. It is hard not to conjure thoughts of Francois Truffaut’s 1973 film Day for Night when first thinking about Olivier Assayas’ Irma Vep from 1996. On the most obvious level, Assayas’ “circus-of-a-film-production” is led by aging director René Vidal, played expertly by Truffaut’s longtime alter-ego,… Read more »