By the time Godard began making La Chinoise in 1967, the radicalism of his previous cinematic experiments, constituting a front-line of the popular thrust of the French New Wave, had begun to lag behind the leftism of the elite French intelligentsia and its growing student army. Godard, fearful of being out of step at the… Read more »
Below, students of journalism, international studies and religious studies in Media School Professor of Practice Elaine Monaghan’s “Covering Ireland” reporting class write collaboratively about a showing of Andrei Tarkovsky’s The Sacrifice, a film packed with allegories, religious imagery and thoughts about death, fear, hope and materialism. As you will read, the student reporters found an… Read more »
Guest post by Nataliya Shpylova-Saeed and Svitlana Melnyk. In 2018 the Dovzhenko Film Studios (Kyiv, Ukraine) celebrates its 90th anniversary. Organized during the Soviet period and named after the Ukrainian film producer Oleksandr Dovzhenko in 1957, it contributed to the versatile development of Soviet cinematography. A production place for such masterpieces as Earth (1930) and White… Read more »
Guest post by Caleb Allison. In Andrei Tarkovsky’s poetic monograph Sculpting in Time: Reflections on the Cinema, he comments on the perpetual need for viewers to understand what the Zone in Stalker (1979) symbolizes. I believe part of the film’s power lies in its symbolic and visual ambiguity. There are no definitive answers given –… Read more »
Guest post by John Finch, PhD, Associate Director of the Institute for Korean Studies and Lecturer of East Asian Languages and Cultures. It would be difficult to pick a more timely movie to include in a series about the Cultural Foundations for Peace than As One (2012). In the past year, uncertainty about peace in the… Read more »
This post is a pretty early push for a film I am incredibly excited to see: Joachim Trier’s Thelma, showing at the Indiana University Cinema on January 5 and 6, 2018. Yes, these screenings are still weeks away, but I wholeheartedly believe my anticipation for seeing a film that The Independent calls “a new take… Read more »