Hirokazu Kore-eda is a beloved Japanese director who is experiencing a great moment of recognition. He won the Cannes Film Festival’s prestigious Palme d’Or for his latest film Shoplifters in 2018, and this year he will release his first English language film, The Truth. It’s a measure of his international cachet that The Truth stars… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
Guest post by Abigail Gipson. Elena Volochine and James Keogh arrived in the Donetsk region of eastern Ukraine on a June evening in 2015 to begin filming the documentary Oleg’s Choice. The Russian-backed battalion in which they were to be embedded was preparing for battle the next day. Before the battle, one fighter stopped to… Read more »
Robert Bresson is a filmmaker apart. Or, so his friend Jean Cocteau once quipped about him, and this remark has summed up the general critical response to Bresson’s filmography for decades. His work is inscrutable, seemingly without other film referents. And a mythology has built up around him – not completely without merit. However, over… Read more »
“My basic concern in making them was to dramatize the all-importance of communication, of the capacity for feeling. They are not concerned—as many critics have theorized—with God or His absence, but with the saving force of love. Most of the people in these three films are dead, completely dead. They don’t know how to… Read more »
If there’s one thing I look forward to more than a film screening, it’s two of them back to back. A well curated double bill is a thing of beauty and a complex craft that often goes overlooked. As much as the creation of a film is a miracle in and of itself, how… Read more »