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Guest post by Jon Vickers. “One of the signs of underdevelopment is an inability to establish links, to gather experience and grow,” states Sergio (Sergio Corrieri), Tomás Gutiérrez Alea’s bourgeois intellectual protagonist who idly roams the streets of Havana on his existential odyssey through much of Memories of Underdevelopment (1968). Set in 1961 between the… Read more »