Poster for Talk to Me (2023, A24) Jesse Pasternack dives into the greatness of A24’s latest horror hit and why it reminds him of why he loves the movies. Sometimes the simplest questions can provoke the most complex answers. For example, if you were to ask me, “Why do you love movies?” we might be… Read more »
Entries by Jesse Pasternack
The Diegetic Folk Horrors of The Wicker Man (1973)
Poster for The Wicker Man (1973) Jesse Pasternack looks at the musical aspects of the unsettling horror masterwork The Wicker Man. The Wicker Man (1973) is an enduring cult classic for several reasons. It has a fantastic sense of worldbuilding, an excellent cast of iconic actors (Christopher Lee, Ingrid Pitt, etc.), and a finale that… Read more »
The Big Lebowski’s Subversive Use of Film Noir Tropes
Jesse Pasternack reveals how the Coen Brothers turn noir elements on their head with visual gags, a rambling voiceover narration, and the iconic, carefree protagonist at the center of it all. There are few types of films which have as many distinctive characteristics as film noir. Just hearing or reading those words — “film noir”… Read more »
Trainspotting Is a Blast
There are certain films that, if you see them at the right age, will never leave you. They become a part of your life in the way that favorite albums or books do. You might find yourself quoting it every now and again, or thinking about how a shot or a song choice thrilled you… Read more »
The Heroic Trio Must Be Seen to Be Believed
It’s hard to watch The Heroic Trio (1993) and not feel like you’re seeing one of the most entertaining movies ever made. Its collection of gonzo delights (some of which are best left unspoiled) and imaginative sense of worldbuilding make it a treat for fans of cinema that is a little off the beaten path…. Read more »
The Card Counter (2021) and the Pleasures of “Another One”
When A24 distributed writer-director Paul Schrader’s film First Reformed (2017), there was talk that it would be the last film he ever made. Schrader had recently turned 70. The critical and financial success of First Reformed — complete with Schrader’s first-ever Academy Award nomination for its screenplay — would have made it a high note… Read more »