Fridays, 12:30-1:30 PM — Room M344
This semester we will meet in person in Room M344 (on the third floor of the Simon Music Center), unless otherwise noted.
SPRING 2023 SCHEDULE
January 13
Halina Goldberg, “The Piano Virtuosa at Home and Away: Transnational Salon Networks of Maria Szymanowska, Maria Kalergis-Muchanoff, and Marcelina Czartoryska”
January 27
Oladele Ayorinde (Visiting Assistant Professor, Folklore and Ethnomusicology), “Hearing Postcolonial Theory through African Choralism: Themes, Topics and Aesthetics in Modern African Choral Music”
February 3
Massimo Ossi, “Of Keys, Clefs, Locks, and a Rogue Polytextual Madrigal: (Bawdy) Humor in Antonfrancesco Doni’s Dialogo della musica (1554)
February 10
Professional Development Session: Seth Walker (Director of International Partnerships, Office of the Vice President for International Affairs)
February 17
Peter Burkholder Lecture Series | Ford-Crawford Hall
Mark Burford (R.P. Wollenberg Professor of Music at Reed College), “’A Good Musical Education’: Mahalia Jackson and the Legibility of Black Women’s Voices”; co-sponsored by JSOM Diversity & Equity Committee
February 24
Chelsey Belt, “Comic Song and Oral Culture: The Archiving Influence of Laughter”
March 3
Peter Burkholder, “Rewriting the History of Music, and Rethinking How to Listen.”
March 10
Devon Nelson, “Contextualizing Music in 18th Century Authenticity Debates”
March 17
[Spring Break, no colloquium]
March 24
Fritz Schenker (St. Lawrence University), “The Filipino Fox-trot”: Manila’s Popular Song Industry in the 1920s”; co-sponsored by the Presidential Arts and Humanities Fellowship
March 31
[GMA/GTA symposium starts (Fri-Sat)—no colloquium]
April 7
Travis Whaley, “What was Intabulation?”
April 14
Howell Petty, “Queering Fidelio: An Asexual Exemplar”
April 21
Yishai Rubin, “The Plague and St. Macharius in Medieval Ghent”
April 28
Bridget Foley, “You Can(‘t) Play with Us: Puzzle Canons and Huizinga’s Magic Circle”