Sections offered SPRING 2023:
#31458 |
BILL JOHNSTON |
MW 3:00 PM–4:15 PM |
WH 104 |
CLASS NOTES: COLL (CASE) A&H Breadth of Inquiry credit
Class meets In Person. For more information visit https://covid.iu.edu/learning-modes/index.html
Photographs are everywhere: in books, on the Internet, on billboards and in brochures, in magazines and newspapers, on our laptops and in our phones. Often we don’t give them a second glance—it seems that what meaning they have can be comprehended instantly, in the split second it usually takes us to apprehend them. Yet photographs are much more complex and interesting than they might seem. Each one has both an aesthetic and a sociohistorical dimension; each picture is taken by a particular person, at a particular time and place, and captures a particular facet of the world from a particular angle. The notion that photographs show us “reality,” because they incorporate an imprint of the real world, conceals their complexity, their contextuality, and their partiality. Moreover, professional photographers have their own complex motivations and interests, whether these are artistic, political, social, or—as is usually the case—a combination of these elements and more.
This class is about how to write about photographs, which means that it is about how to think about photographs. We’ll spend our time in class taking a close analytical look at certain photographs and collections of photographs, and also examining how different authors have written about them. We’ll also look at some fictional and non-fictional literary texts in which photographs play a crucial role.
As the semester proceeds, you will begin your own exploration of photographs and what is written about them. You’ll be asked to write a series of short assignments about photographs, books and exhibitions of photography, and photographers, the subject of which you will choose in consultation with the professor.
At the end of the course you will have a sense of the history of photography; you will be able to look at pictures critically and have a rich appreciation of them; and you will be able to write intelligently and perceptively about photographs from both an aesthetic and a historico-political perspective.