My introduction to Germaine Dulac many years ago in film school revolved around the surrealists. I learned about her fraught collaboration with Antonin Artaud, which resulted in a group of surrealists rioting at the premiere of The Seashell and the Clergyman (1928). However, Germaine Dulac was so much more than an object of surrealist ire and… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
Guest post by Brittany D. Friesner, Associate Director of Indiana University Cinema. This September at IU Cinema, we’re commemorating Woman Director Awareness Month by dedicating our entire programming line-up to the creative work of women filmmakers. Running the Screen: Directed by Women is a film screening, public conversation, and masterclass series celebrating and affirming the… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
Guest post by Caitlyn Stevens, IU Cinema’s Social Media Specialist and Marketing & Engagement Assistant. I was first exposed to the work of Claire Denis years ago when I blind-bought a copy of White Material during a Criterion Collection sale. I absolutely loved the film (which was one of the sparks that ignited my obsession… Read more »
La Pointe Courte (1955), Agnès Varda’s first film, is often considered one of the major precursors for the French New Wave, a movement that would begin a few years later with (depending on who you ask) either Claude Chabrol’s Le Beau Serge (1958) or François Truffaut’s The 400 Blows (1959). Varda has been branded the… Read more »