Ryan Gosling in The Nice Guys Michaela Owens compares the comedic stylings of Cary Grant and Ryan Gosling in two of their most outrageous performances. When Ryan Gosling was first cast in Barbie and tidbits about the movie were steadily released, there was doubt floating around on the internet of whether or not the “somber”… Read more »
Tag: screwball comedy
The Greatness of Cary Grant’s Performance in His Girl Friday (1940)
Poster for His Girl Friday Jesse Pasternack explains what makes Cary Grant’s work so dazzling in the indelible rom-com His Girl Friday. His Girl Friday (1940) is full of great performances. There’s the iconic and hilarious one given by Rosalind Russell, the sweet and subtly funny one given by Ralph Bellamy, as well as a… Read more »
Cary Grant: More Than Just a Pretty Face
Cary Grant in To Catch a Thief Michaela Owens defines what makes Hollywood icon Cary Grant such a fascinating and endlessly watchable star. Seeing Cary Grant’s face is a religious experience. With his impossibly deep tan, expressive chocolate-brown eyes, glistening black hair, and famously dimpled chin (who else can say they have an instantly recognizable… Read more »
Bringing Up Baby at 85: Love in the Connecticut Wilderness
It is an inescapable fact that we don’t deserve Katharine Hepburn and Cary Grant. Separately, together, it doesn’t matter. They were just too beautiful, too miraculous, too good. By the time I laid eyes on their second collaboration, Bringing Up Baby, in high school, I was already head over heels for Kate and Cary, but… Read more »
The Foolishness of Love in Midnight (1939)
In the decadent French chateau of a frisky aristocrat and his wandering wife, a showgirl pretending to be a baroness and the cab driver she fell for are arguing about the practicality of a marriage surviving on 40 francs a day. “I know we’re right for each other,” he coos. “I know it deep down… Read more »
Libeled Lady and the Sophisticated Silliness of William Powell
When the New York Evening Star carelessly prints a false story about society dame Connie Allenbury (Myrna Loy) that results in a $5 million libel suit, editor Warren Haggerty (Spencer Tracy) decides to resolve the situation by hiring the sneakiest, smoothest operator he knows: ex-Evening Star reporter Bill Chandler (William Powell). The men don’t share… Read more »