![Oja Kodar runs in blue sheer fabric.](https://blogs.iu.edu/establishingshot/files/2021/08/Oja.png)
One of the more memorable moments in F for Fake (Orson Welles, 1973) has seemingly little to do with the main plot about Elmyr de Hory and art forgeries. Toward the beginning of the film, Oja Kodar walks along the street in a mini-dress, and a slew of men ogle her as she passes. “Girl… Read more »