Vincente Minnelli’s quirky musical The Pirate may not have been appreciated when it was first released, but over the years, the film has become vindicated in its blend of lush production values, delightfully madcap performances from Judy Garland and Gene Kelly, and a charming Cole Porter score. The Pirate isn’t going to be everyone’s cup… Read more »
I think all film lovers can agree: naming your favorites can be hard. If someone asked me to do a top ten list, I think I would break out in hives. However, if you were to ask me my absolute favorite movie, the one I could never live without, I would say, with no hesitation,… Read more »
Every month A Place for Film will bring you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series will reflect the varied programming that can be found at the Cinema, as well as demonstrate the eclectic tastes of the bloggers…. Read more »
Stephen Sondheim is a movie buff. In interviews he has called versatile studio directors Michael Curtiz and Raoul Walsh “heroes of mine” because they influenced his desire to tell high quality stories across genres. He has spoken about how the scores of Bernard Herrmann, particularly his one for Hangover Square, influenced the music of Sweeney… Read more »
I’m always curious to know how people remember Rita Hayworth. Is it as the woman who was pictured seductively sitting in bed, making thousands of soldiers’ hearts beat faster during WWII? Or is it as Gilda, singing “Put the Blame on Mame” while playfully stripping off her gloves? Or maybe you recall her high-profile marriages… Read more »
Of all the debates about Old Hollywood, the Fred Astaire vs. Gene Kelly debate is one of the most popular. Movie fans enjoy comparing their dance styles and who they like better. They talk about how Astaire’s dancing was more elegant, and whether that makes it better than Kelly’s more athletic choreography. But what… Read more »