Have you listened to A Place for Film yet? Well, it’s the official IU Cinema podcast, a podcast that I have nagged and bugged the powers-that-be to resurrect after it ended a great four-year run with 169 episodes. Thanks to WIUX and our producer Matt, my co-host Elizabeth Roell (IU Cinema House Manager and usher)… Read more »
Tag: Jorgensen Guest Filmmaker Series
Shifting Perspectives: LISTEN UP PHILIP and the Other Films of Alex Ross Perry
Maybe I have seen Listen Up Philip too many times. It’s not my favorite Alex Ross Perry film. In fact when I first saw it I didn’t even really like it. I saw the characters in its ensemble as unlikable and too disagreeable (excluding Ashley played by Elisabeth Moss and Melanie played by Krysten Ritter)… Read more »
Women in Cinema
Guest post by Noni Ford. Recently, many people have been looking at the box office receipts for this year’s films and scratching their heads at why so many female-led and female-directed films are performing so well. As though it’s an absolute mystery, or if all women are just going to theaters to support these rare… Read more »
Celebrating and Supporting (A) Great Cinema
Jane and Jay Jorgensen: “From the moment we agreed to endow the Jorgensen Guest Filmmaker Series, we have never looked back. We are so proud of all the accomplishments the staff has achieved and so thrilled the student response has been so rewarding. We feel this project has been a win/win for EVERYONE!” On IU… Read more »
Three Things to Keep In Mind When Watching a Kelly Reichardt Film
Earlier this month, I had the opportunity to introduce Kelly Reichardt to the IU Cinema stage for her Jorgensen Guest Filmmaker Lecture. It was a wonderful experience, but getting the chance to hear Kelly speak about filmmaking made the whole thing even more rewarding. In fact, it changed the way I viewed her newest film,… Read more »
Beauty in a Feeling: Meek’s Cutoff and Kelly Reichardt
Last month The New York Times Magazine ran a piece titled “The Quiet Menace of Kelly Reichardt’s Feminist Westerns.” In it the author argues that, although Reichardt has only made one “true” Western, all of her films, in fact, can be considered revisionist Westerns that promote the possibility of a quiet, often lost, and in… Read more »