Full transparency: all Blu-rays reviewed were provided by Kino Lorber, Criterion, Code Red, and Cohen Film Collection. The semester has started, summer is coming to a close, but the Blu-ray reviews are back in full swing. If there was a theme to this month’s titles, it would be stellar performances and star personas, with the… Read more »
Tag: Japanese cinema
Physical Media Isn’t Dead, It Just Smells Funny: Blu-ray Reviews for May 2021
Full transparency: all Blu-rays reviewed were provided by Fun City Editions, Arrow Video, MVD, Kino Lorber, and Criterion. Well, folks, things have heated up considerably since I started doing these reviews last fall. I’ve reached out to so many great distributors and all of them have been kind, helpful, and generous with what they allow… Read more »
Monthly Movie Round-Up: April
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Monthly Movie Round-Up: December
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
Sublime Tragicomedy: I Was Born, But… (1932)
A friend of mine once summarized the conceptual continuity of Yasujirō Ozu’s cinema by saying to me that one could, quite reasonably, “put all of his films together” so that his body of work played out as one, very long movie, and that it would all “make sense, synthesized together in this way.” His reasoning… Read more »
Sergeant Rutledge: Ford’s Rashōmon
This fall, the IU Cinema programmed a series entitled “The Rashōmon Effect” which, in the spirit of the 1950 Akira Kurosawa classic, brought together a number of titles from disparate countries and decades which all employ a narrative device that deals with contradictory interpretations of the same events by various witnesses. Upon reviewing their selections,… Read more »