Inside Vulture Video In honor of Video Store Day on October 19, Anna Rose Stamm rhapsodizes about physical media and the irreplaceability of video stores like Bloomington’s own Vulture Video. The very first Christmas gift I can remember receiving was a VHS tape of A Bug’s Life. I still remember the way those tapes sound… Read more »
Tag: Ingmar Bergman
Monthly Movie Round-Up: July
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
A Very Brief Plea to (Re)Visit Bergman’s Winter Light
“My basic concern in making them was to dramatize the all-importance of communication, of the capacity for feeling. They are not concerned—as many critics have theorized—with God or His absence, but with the saving force of love. Most of the people in these three films are dead, completely dead. They don’t know how to… Read more »
Moonrise Kingdom’s Cinematic Ancestors
When Wes Anderson’s Moonrise Kingdom was released in 2012, audiences and critics alike noted the film’s similarities to Pierrot le fou, a 1965 film by French New Wave director Jean-Luc Godard. However, Godard isn’t the only — or even the most important — influence on Wes Anderson. This video essay looks at a few of the cinematic… Read more »
Dreams, Remembering, and Anti-Symbolism in Ingmar Bergman’s Wild Strawberries
“When I want to put myself to sleep in the evening, I can go through my maternal grandmother’s apartment — room by room — and remember in the smallest detail where different things were, how they looked, what color they were. I also remember the light, the winter or summer light coming through the… Read more »