This fall, IU Cinema presents Re:Made, a thrilling series that pairs an original film with its remake to articulate how filmmaking, film culture, and film impact evolves as the industry, audiences, and cultures change. To celebrate our first Re:Made pairing — Howard Hawks and Christian Nyby’s The Thing From Another World (1951) and John Carpenter’s… Read more »
This July, Establishing Shot presents It’s Revived!, a miniseries celebrating some of our favorite (or at least some of the more fascinating) movie remakes out there in anticipation of IU Cinema’s fall film series Re:Made. Today, Jack Miller explores how Alfred Hitchcock, Yasujirō Ozu, and Howard Hawks reached back into their own filmographies to make… Read more »
Full transparency: all Blu-rays reviewed were provided by Criterion and Kino Lorber. We’re going to try and get a little more focused on Physical Media Isn’t Dead and highlight a couple of distributors at a time instead of making you listen to an hour of stream-of-consciousness rambling — now you’ll only have to listen… Read more »
Many of us who saw David Gordon Green’s Halloween Kills (2021) last month were inevitably disappointed with it, perhaps unsurprisingly. Part of what was frustrating about the new film was Green’s attempt to position it in relation to John Carpenter’s 1978 original, with constant references and “call-backs” being made throughout to the original trauma of… Read more »
When I first became enamored of classic Hollywood, there were a handful of actors who were responsible for introducing me to this new wonderful world. At the time, the one who shone the brightest was Marilyn Monroe; today, she is still someone I cherish. To belatedly celebrate Ms. Monroe’s June 1st birthday, I’ve decided to… Read more »
Guest post by Jack Miller. “I have a long-standing pet theory about Hawks’ comedies that I’m starting to question. The theory is that the comedies contain two different kinds of characters, pitched at different levels of abstraction: one more plausible and naturalistic, the other more stylized and exaggerated. And that the films document the perplexity… Read more »