This July, Establishing Shot presents It’s Revived!, a miniseries celebrating some of our favorite (or at least some of the more fascinating) movie remakes out there in anticipation of IU Cinema’s fall film series Re:Made. Today, Laura Ivins looks at a different kind of remake as she discusses one of Alfred Hitchcock’s greatest films and its… Read more »
In Robin Wood’s 1988 article “The Skull Beneath the Skin: Some Indiscreet Charms of Narrativity,” the critic places some of the pantheon directors of cinema into categories of identification: “Buñuel was clearly one of the cinema’s great male-identified directors (the list would include Hawks, Godard and Scorsese), as against its great woman-identified directors (the list… Read more »
There are many notable similarities between Alfred Hitchcock’s two films Strangers on a Train (1951) and Rope (1948). For example, Hitchcock scholars and film critics have written repeatedly about the doubling of the male relationships — particularly since Farley Granger appears in both films — and the implication that Brandon and Phillip (Rope), Bruno and even Guy… Read more »
Idiosyncratic films have an interesting relationship with genre. The fact that they are so unique separates them from more formulaic movies. But more often than not idiosyncratic films bear traces of generic structures that make them palatable to audiences. Idiosyncratic films have the potential to create their own genres, but more often than not they… Read more »