Cary Grant in To Catch a Thief Michaela Owens defines what makes Hollywood icon Cary Grant such a fascinating and endlessly watchable star. Seeing Cary Grant’s face is a religious experience. With his impossibly deep tan, expressive chocolate-brown eyes, glistening black hair, and famously dimpled chin (who else can say they have an instantly recognizable… Read more »
Guest post by Caleb Allison. Spoilers throughout! Douglas Sirk has become synonymous with lushly subversive melodrama wrapped in Technicolor brilliance, but before his nearly unbelievable string of melodramatic masterpieces in the 1950s, including Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), and Imitation of Life (1959), he conjured up a… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
George Cukor, known as the “woman’s director” during Hollywood’s Studio Era, seems to have been a part of a vast number of Hollywood classics. He is, in fact, one of my own favorite directors, a handful of his films sitting in my list of favorites. It’s no wonder then that in my three years co-coordinating… Read more »