Guest post by David Church. If or when a person views pornography today, it’s not likely in public, in polite company, or with aesthetic appreciation in mind. This is because mainstream pornography is often considered cheaply made, politically damaging, or crudely single-minded in its purpose: turning a person on or helping get them off. While… Read more »
Tag: foreign language
Meet Your IU Cinema Staff: B. Elena Grassia
Get to know the people behind your favorite university cinema in our new blog series, “Meet Your IU Cinema Staff.” Using the format of our exclusive filmmaker interviews — all of which can be found on our YouTube channel — we’ve crafted a questionnaire for our staff to help introduce them to you, our audience. For… Read more »
Paulin Vieyra: An African Cinema Pioneer and So Much More
One of the most important figures in African film, Paulin Soumanou Vieyra is a name that deserves to be better known. After directing the first substantial film by a French-speaking sub-Saharan African, Afrique sur Seine, in 1955, Vieyra went on to become the first African admitted to study at the Institut des hautes études cinématographiques… Read more »
Monthly Movie Round-Up: January
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Not-Quite Midnights presents: Titane (2021)
If you’ve heard anything about Titane since its release last year, you’ve probably heard it described as the movie where a woman has sex with a car. But Julia Ducournau’s Palme d’Or winner is infinitely more complex than that. It is also the kind of film that the less you know about it, the better… Read more »
Crossing Thresholds in Lamb
Contains some light spoilers, though I try not to give too much away. At first glance, Lamb (Valdimar Jóhannsson, 2021) is a film about grief so powerful it conjures the past into the present. Sheep farmers Maria (Noomi Rapace) and Ingvar (Hilmir Snær Guðnason) sit at their kitchen table, and Ingvar remarks, “They’re saying time… Read more »