Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Full transparency: All Blu-rays reviewed were provided by Kino Lorber, Criterion, Code Red, and Arrow Video. This month’s round-up is an eclectic bunch, which, if you know me at this point, is a good thing. Things are beginning to lean towards the change of seasons thematically. There is a Carl Reiner/Steve Martin comedy-noir collab called… Read more »
Full transparency: all Blu-rays reviewed were provided by Kino Lorber. The unofficial title of this month’s batch of reviews will be called Oops! All Kino. Yes, February’s titles are all from Kino Lorber, and what a batch it is: a sizzlin’ Eartha Kitt vehicle, a Sammy Davis Jr. double feature, two crime pictures, a foundational… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
I shall never forget the day I saw The Ghost and Mrs. Muir in Paris. With a pounding headache and an overwhelming sense of loneliness after two weeks of studying in a strange city, I convinced myself to go stare in awe at Notre Dame before settling in at La Filmothèque du Quartier Latin, a… Read more »
Steve Martin called him “my greatest mentor in movies and in life.” Norman Lear remarked that he brought “pure joy” to everything he did, while Billy Crystal deemed him “a nice genius” and Dick Van Dyke gushed that he was “the greatest human being I ever met in my life.” In the worlds of television,… Read more »