Joe’s final show in All That Jazz Guest contributor Vlada Lodesk discusses the blurred lines between reality and fantasy, as well as life and art, in Bob Fosse’s magnum opus All That Jazz. There are a lot of things Bob Fosse’s All That Jazz can be praised for. From its innovative and masterful visual language… Read more »
Full transparency: all Blu-rays reviewed were provided by Criterion Collection, Kino Lorber, and Arrow Video. Welcome to the second half of this month’s reviews for “Physical Media Isn’t Dead…” Generally I try to find a throughline to tie these films together in some way, but honestly the only throughline I can find this time is… Read more »
What is Michael Powell and Emeric Pressburger’s The Red Shoes really about? A fairytale within a fairytale, the commitment of artistry, a story about the jealousies and passions that arise when you see a talent like no other… It’s hard to tie down the different threads in the movie, but the central theme from the… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Full transparency: All Blu-rays reviewed were provided by Kino Lorber, Criterion, Code Red, and Arrow Video. This month’s round-up is an eclectic bunch, which, if you know me at this point, is a good thing. Things are beginning to lean towards the change of seasons thematically. There is a Carl Reiner/Steve Martin comedy-noir collab called… Read more »
How do you solve a problem like Maria? That’s the question on many people’s lips in You Were Never Lovelier, a stellar 1942 musical about an American dancer (Fred Astaire) who is mistaken for the secret admirer of Maria Acuña (Rita Hayworth), an Argentinian hotelier’s daughter. As embodied by Hayworth, Maria is a clever and… Read more »