A biological miracle with disastrous consequences in The Substance Chris Forrester connects Coralie Fargeat’s award-winning body-horror sensation The Substance to its B-movie roots. As is now something of a tradition with buzzy festival hits, The Substance (Fargeat, 2024) almost immediately became the subject of a discourse whose least productive concerns have more or less eclipsed… Read more »
Tag: cult classics
Knowing Death and Understanding the Secret of Life in Flesh for Frankenstein (1973)
The Female Monster of Flesh for Frankenstein Underground Film Series curator Justin Bonthuys contextualizes Paul Morrissey’s cult classic. In his book on comedy-horror films, screenwriter and actor Bruce Hallenbeck describes the irony in the script of Flesh for Frankenstein (1973) as “[giving] the film a winking detachment, so that you find yourself convulsed with laughter… Read more »
Not-Quite Midnights presents: Road House (1989)
The Double Deuce is the meanest, loudest, and rowdiest bar south of the Mason-Dixon Line, and Dalton (Patrick Swayze) has been hired to clean it up. He might not look like much, but the Ph.D.-educated bouncer proves he’s more than capable, busting the heads of troublemakers and turning the roadhouse into a jumping hot-spot. But… Read more »
The Holy Mountain (1973) and the Pleasure of Going in Cold
Poster for The Holy Mountain (1973) Recalling his first experience with Jodorowsky’s The Holy Mountain, Jesse Pasternack explains why he recommends going into a film blind. One of my favorite moviegoing experiences at the IU Cinema was a midnight showing of The Holy Mountain (1973). I saw my friend and fellow blogger Aja Essex there,… Read more »
Showgirls Doesn’t Suck, It F*cks
Guest post by Chris Forrester. “It doesn’t suck,” offers a character at one point in Paul Verhoeven’s Showgirls — a tease, or understatement in one way or another, from a film not uncommonly heralded as the worst of all time. In context, it’s a throwaway line of dialogue from the film’s doe-eyed, sharp-witted protagonist; outside… Read more »
Forever Queer presents: Jubilee (1978)
Channeling political dissent and creative daring into a revolutionary blend of history, fantasy, cinematic experimentation, satire, anger, fashion, and philosophy, legendary filmmaker Derek Jarman’s Jubilee follows Queen Elizabeth I as she travels 400 years into the future to witness a dystopian London overrun by a vicious gang of punk guerrilla girls led by the new… Read more »