Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Tag: coming of age films
Monthly Movie Round-Up: December
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Monthly Movie Round-Up: October
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Friday Night Frights presents: The Black Phone (2022)
1978, Denver. A serial child abductor called the Grabber has been prowling the streets, luring children away with magic tricks, a black van, and a terrifying mask. When 13-year-old Finney becomes the Grabber’s latest prey, he realizes the disconnected rotary phone in the basement he is trapped in connects him with the victims who came… Read more »
Monthly Movie Round-Up: September
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Melodramatic Spaces in Smooth Talk
In the classic teen melodrama Splendor in the Grass (Elia Kazan, 1961), the central conflict arises because Wilma (Natalie Wood) is torn between her desire and social mores. She knows what she wants — she wants sex with Bud (Warren Beatty). But society, represented most strongly in the film by the voice of Wilma’s mother,… Read more »