Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
A new Marion Crane for a new Psycho Using examples from such luminaries as William Friedkin and Steven Soderbergh, Chris Forrester discusses three different kinds of remakes and what their filmmaking approaches bring to the table. IU Cinema’s series Re:Made parses the nature of the remake by screening pairs of films — inspiring originals and… Read more »
Barbara Stanwyck in Double Indemnity In this appreciation of the femme fatale, Michaela Owens looks at two of cinema’s coolest and most indelible, Phyllis Dietrichson and Matty Walker. In a blackened office, Fred MacMurray bitterly recounts his story of lust and crime into a Dictaphone as he slowly bleeds out, a consequence any man deserves… Read more »
Poster for The Thin Man Jesse Pasternack explains how The Thin Man‘s mixture of genres turns the 1934 classic into something truly special. If I had to compare The Thin Man (1934) to one drink, it would be a martini. It’s elegant, cool, and delightful to enjoy. More importantly, it resembles a martini because it’s… Read more »
Peeping Tom‘s killer admires his handiwork from the comfort of his darkroom Chris Forrester considers the act of looking and how it’s intertwined with filmmaking in the proto-slasher Peeping Tom. Spoilers ahead! Nighttime in London. An eye opens. A man prowls the streets. Concealed beneath the folds of his coat is a camera, and as… Read more »
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »