A train to a strange place in Wong Kar-Wai’s 2046 Contextualizing Wong Kar-Wai’s Love Trilogy, Chris Forrester explains how the films are in conversation with Hong Kong’s political atmosphere, the world-building that connects the films and their characters, and more. Few filmmakers have become so synonymous with a specific kind of lovelorn loneliness as Wong… Read more »
Still from Days of Being Wild Before his introduction to tonight’s screening of Wong Kar-Wai’s Days of Being Wild, IU Chancellor Michael A. McRobbie shares a preview of his remarks on the lush, woozy cinema of Wong and his acclaimed Love Trilogy. I am delighted to say a few words about the three films that… Read more »
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Full transparency: all Blu-rays reviewed were provided by Criterion, Kino Lorber, and 88 Films US. Happy holidays, everyone! ‘Tis the season for merriment, goodwill to your fellow man, and watching people beat the living hell out of each other, or at least it is on “Physical Media Isn’t Dead, It Just Smells Funny.” There’s something… Read more »
Writing in the Chicago Reader about Louis Feuillade’s Les Vampires (1915-16), Jonathan Rosenbaum enticingly called that ten-part silent serial “one of the supreme delights of film.” This assertation basically gets at how I feel about the extraordinary wuxia films that the Chinese director King Hu made in the 1960s and ‘70s and, more specifically, about… Read more »
Full transparency: all Blu-rays reviewed were provided by GKIDS, Kino Lorber, and Criterion. Another month is upon us and with it brings more of those sweet, sweet discs. I’m talkin Blu gold, baby! However, it also brings some changes. Me and the powers-that-be have decided to integrate these reviews into the A Place for Film… Read more »