Guest post by Caitlyn Stevens, IU Cinema’s Social Media Specialist and Marketing & Engagement Assistant, who attended her seventh True/False Film Festival earlier this month. Anyone who knows me associates me with film — it’s what I do for work, what I talk and obsess about, what I study, and what I do in my… Read more »
Carlos Reygadas’ mysteriously titled Japón (2002) opens in a darkened car tunnel, and for all we know we’re in Japan (Japón’s English translation), but maybe a Japan of the future. The car taillights glow ember-red below the camera line with white orbs of tunnel light above. A motorcycle glides between stopped traffic. It’s so dark… Read more »