Tony Curtis and Jack Lemmon in Some Like It Hot Ben van Welzen details how the Austrian filmmaker’s past informed his work and subsequently elevated American cinema. In 1906, a boy was born in a 10-square-mile town in a country that no longer exists, about to spend the first three decades of his life in… Read more »
Barbara Stanwyck in Double Indemnity In this appreciation of the femme fatale, Michaela Owens looks at two of cinema’s coolest and most indelible, Phyllis Dietrichson and Matty Walker. In a blackened office, Fred MacMurray bitterly recounts his story of lust and crime into a Dictaphone as he slowly bleeds out, a consequence any man deserves… Read more »
Full transparency: all Blu-rays reviewed were provided by Kino Lorber, Fun City Editions, the Criterion Collection, Imprint Films, Arrow Video, 88 Films US, Dekanalog, and Vinegar Syndrome. Well, here we are everyone: at the end of another calendar year for this column and another incredible year for physical media. We saw long-awaited releases, upgrades… Read more »
In the decadent French chateau of a frisky aristocrat and his wandering wife, a showgirl pretending to be a baroness and the cab driver she fell for are arguing about the practicality of a marriage surviving on 40 francs a day. “I know we’re right for each other,” he coos. “I know it deep down… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Full transparency: all Blu-rays reviewed were provided by Kino Lorber and Criterion. On this month’s episode, I’m very happy to have my first guest with fellow Cicada Cinema co-founder and by far the most encyclopedic cinephile I’ve ever had the pleasure of calling my friend, Nile Arena! I decided I need some help talking about… Read more »