Guest post by Leah Marie Chizek. Ahead of the Eskenazi Museum of Art’s recent reopening, I had the opportunity to walk through the galleries, where I ran across Jim Dine’s 44-print Pinocchio suite just after it had been installed. Dine first saw Walt Disney’s Pinocchio (1940) when he was six years old, and his prints… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
There are many things that make the animated films of legendary writer/director Hayao Miyazaki beloved. They include his penchant for narratives that focus more on relationships than conflict, complex three-dimensional female characters, and beautiful imagery. But if I had to pick one thing that made his films truly unique, it would have to be the… Read more »
Fantasy and science fiction have always offered an incredible amount of possibility to storytelling. When you have rules and worlds you can make up and change at the whim of a keystroke it can be easy to get lost in the nuts and bolts. There’s nothing wrong with this, of course. Some very good films… Read more »
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
Guest post by Tyne Lowe. In the first thirty minutes of Miss Hokusai, artist O-Ei walks through Edo with her blind younger sister, O-Nao, and attempts to explain their father’s art to her. The viewer has been introduced to their father, Katsushiko Hokusai (referred to in the film as Tetsuzo), as a somewhat eccentric and… Read more »