Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked… Read more »
For full transparency: I was sent this box set by Criterion for review. I’d like to think this hasn’t impacted my thoughts on this set, but I thought people should know before they read more. There are figures in art whose image, mannerisms, and reputation are as recognizable and notable as the art they create…. Read more »
In most discernible ways, the respective bodies of work of the long-married French Left Bank filmmakers Agnès Varda (1928-2019) and Jacques Demy (1931-1990) have remained quite distinct from one another. Unlike some other notable filmmaking couples (like Jean-Marie Straub and Danièle Huillet, for instance), Varda and Demy rarely worked on each other’s films in any… Read more »
Agnès Varda’s legendary career was defined by many qualities, but two especially striking ones were playfulness and empathy. Her playful experiments with film form, including a blurring of the line between nonfiction and fiction, mark her as an innovator. At the same time, her empathy for whoever she is filming gives her films an emotional… Read more »
Guest post by Brittany D. Friesner, Associate Director of Indiana University Cinema. This September at IU Cinema, we’re commemorating Woman Director Awareness Month by dedicating our entire programming line-up to the creative work of women filmmakers. Running the Screen: Directed by Women is a film screening, public conversation, and masterclass series celebrating and affirming the… Read more »
La Pointe Courte (1955), Agnès Varda’s first film, is often considered one of the major precursors for the French New Wave, a movement that would begin a few years later with (depending on who you ask) either Claude Chabrol’s Le Beau Serge (1958) or François Truffaut’s The 400 Blows (1959). Varda has been branded the… Read more »