“When I want to put myself to sleep in the evening, I can go through my maternal grandmother’s apartment — room by room — and remember in the smallest detail where different things were, how they looked, what color they were. I also remember the light, the winter or summer light coming through the… Read more »
Onscreen at IU Cinema
Endangered Languages, Endangered Species
Guest post by David Stringer. We live in a world filled with cultural and biological diversity, which is nowhere more vividly on display than in so-called language hotspots – parts of the planet with extremely rich variation in languages, which are also almost invariably places with extremely high biodiversity. Take, for example, the island of… Read more »
Queer Convergences: Ryan Trecartin’s I-Be Area
Guest post by Eric Zobel. Video artist Ryan Trecartin’s I-Be Area (2007) is an anarchic tour-de-force. Written, directed, and edited by Trecartin, the film tosses viewers into a hallucinogenic virtual world that is both Crayola colorful and utterly confusing. Using forms of new media, the tropes of soap opera and reality TV, and non-narrative filmmaking… Read more »
Sci-Fi Westerns and Michael Crichton’s Westworld (1973)
I have a certain love for the sci-fi Western “genre,” from Back to the Future III (1990) to Joss Whedon’s Firefly (2002-2003) and Serenity (2005), as well as HBO’s remake of Michael Crichton’s Westworld (2016 – ). I call it a “genre” because many people might call it a hybrid, and not a full-blown… Read more »
Focus on Finland’s History in the Country’s Centennial Year
Guest post by Elisa Räsänen. This year marks the 100th anniversary of Finland as an independent country. The centennial year is celebrated in various events both in Finland and around the world. Many events are also taking place in the U.S. Institutes and groups have been organizing public talks, film festivals and celebrations starting from… Read more »
Disciples of the Blade: 6 Films Influenced By Le Samouraï
“A man got to have a code.” — Omar Little from The Wire If there’s one contribution to cinema that Jean-Pierre Melville is most certainly “guilty” of, it would be his characters. Stoic anti-heroes, existential killers, and methodical men seem to pop up as the protagonists in so many of his films. It was the director’s… Read more »