Guest post by Elisa Räsänen. Are Nordic people really happy? Yes, they are, at least according to the most recent World Happiness Report (2017), in which Norway was declared the happiest country in the world, with Denmark, Iceland and Finland making it into the top 5. We decided to explore this “happiness,” which is arguably a… Read more »
IU Cinema’s Social Media Specialist Caitlyn Stevens had the chance to interview Ryan Norris, founder of experimental music organization Coupler, about the experience of composing and performing the commissioned original score for the 1925 silent film Our Heavenly Bodies. In this exchange, Norris talks about his love of movies, the juxtaposition of sound and image,… Read more »
Guest post by Craig S. Simpson. He is running for President of the United States. His campaign van is a recurring presence in the film, as is his voice, an eloquent southern drawl. Blaring over loudspeakers as the van rolls through Nashville, Tennessee is an audio recording of the homespun wisdom of third-party candidate Hal… Read more »
Guest post by Dr. Alberto Varon. The Latino Film Festival sponsored by the Latino Studies Program has become a premier programming event for the IU and Bloomington communities since 2012. As in previous years, the two-day event will convene local scholars and film directors on the Bloomington campus to showcase and discuss recent trends in… Read more »
Guest post by Nataliya Shpylova-Saeed and Svitlana Melnyk. In 2018 the Dovzhenko Film Studios (Kyiv, Ukraine) celebrates its 90th anniversary. Organized during the Soviet period and named after the Ukrainian film producer Oleksandr Dovzhenko in 1957, it contributed to the versatile development of Soviet cinematography. A production place for such masterpieces as Earth (1930) and White… Read more »
Guest post by Caleb Allison. In Andrei Tarkovsky’s poetic monograph Sculpting in Time: Reflections on the Cinema, he comments on the perpetual need for viewers to understand what the Zone in Stalker (1979) symbolizes. I believe part of the film’s power lies in its symbolic and visual ambiguity. There are no definitive answers given –… Read more »