Three lovers spin in a vortex of pent-up desire and resentment in director Ira Sachs’ honest and acerbically funny take on messy, modern relationships. Just like its dynamic leads, Franz Rogowski (New York Film Critics Circle winner for Best Actor), Adèle Exarchopoulos, and Ben Whishaw, Passages is a refreshingly fluid relationship drama that oozes sex… Read more »
Onscreen at IU Cinema
Care Not Cages: Beyond Walls, Beyond Prisons
Micol Seigel and Leigh Grundhoefer give an overview of the upcoming events in the Care Not Cages series, which seeks to bring attention to the American carceral system. For an expanded version of this essay, please read the upcoming Ryder Magazine. In 2007, Monroe County government proposed building a new jail. Proponents claimed the jail… Read more »
International Art House Series presents: Anatomy of a Fall (2023)
For the past year, Sandra, her husband Samuel, and their 11-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, his suspicious death is presumed murder and Sandra becomes the main suspect. What follows is not just an… Read more »
Not-Quite Midnights presents: When Evil Lurks (2023)
When brothers Pedro and Jimi discover that a demonic infection has been festering in a nearby farmhouse—its very proximity poisoning the local livestock—they attempt to evict the victim from their land. Failing to adhere to the proper rites of exorcism, their reckless actions inadvertently trigger an epidemic of possessions across their rural community. Now they… Read more »
Body Horror and Monkeys and Jeff Goldblum, Oh My!: The Fly (1986)
Jeff Goldblum in The Fly Noni Ford digs into her first viewing of The Fly, its practical effects, Jeff Goldblum’s fantastic performance, and questions like, “Just where did Brundle get all of those monkeys?” I had no idea what I was in for when I began watching David Cronenberg’s adaptation of The Fly and I’m… Read more »
“The Important Thing is the Rhythm”: The Combination of Genres at the Heart of The Thin Man (1934)
Poster for The Thin Man Jesse Pasternack explains how The Thin Man‘s mixture of genres turns the 1934 classic into something truly special. If I had to compare The Thin Man (1934) to one drink, it would be a martini. It’s elegant, cool, and delightful to enjoy. More importantly, it resembles a martini because it’s… Read more »