SPOILERS for the movie Annihilation. Apocryphal or disproven science is fun to think about. For example, for much of our lives we truly believed we only use 10 percent of our brains. Similarly there’s another pop science factoid that gets a good amount of play around the internet, this one being that the process of… Read more »
Movie Reviews
Monthly Movie Round-Up: February
Every month A Place for Film will bring you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series will reflect the varied programming that can be found at the Cinema, as well as demonstrate the eclectic tastes of the bloggers…. Read more »
Yearly Movie Round-Up: 2017
For film fans, January is a busy month. In addition to ceremonies like the SAG Awards, the Critics’ Choices Awards, and the Golden Globes, there is also the announcing of the Academy Award nominations. Because of all this, instead of doing the usual Monthly Movie Round-Up, we at A Place for Film thought that we… Read more »
Born Again Vampires: Abel Ferrara’s The Addiction
“We are not sinners because we sin, but we sin because we are sinners.” – R.C. Sproul “You’re an addict…so be addicted.” – Mark Renton in Trainspotting 2 A girl walks home alone at night, and a woman in black strolls sensually behind her. The woman in black sidles up next to the girl and… Read more »
Spending Christmas with Deanna Durbin on Halloween
Halloween is just around the corner, which means it’s time to pull out all of my favorite spooky films. Being a scaredy cat, though, means that my definition of “spooky” is probably vastly different than most people’s. When it comes to Halloween, I turn to film noir, Universal horror classics, Tim Burton, and horror… Read more »
The Cellphone is a Spirit Board: Unresolved Readings in Assayas’s Personal Shopper
“There was a presence… I felt something I just can’t tell… it was too far.” ― Kristen Stewart as Maureen in Personal Shopper, 2016 Olivier Assayas’s 2016 film is stuck between its identity as an art film and a genre film. These distinctions are organized, with some inelegant neatness, around the dual life of Kristen Stewart’s… Read more »