Two-Lane Blacktop (Monte Hellman, 1971) opens on a street race. Engines roar prominently on the soundtrack, and we get a montage of tarmac, cars, and a few close-ups of The Driver (James Taylor) that will become one of our main characters. No one speaks. When The Driver finally does speak – after the opening credits… Read more »
Feature Articles
Mamoru Hosoda: Best of Both Worlds
Fantasy and science fiction have always offered an incredible amount of possibility to storytelling. When you have rules and worlds you can make up and change at the whim of a keystroke it can be easy to get lost in the nuts and bolts. There’s nothing wrong with this, of course. Some very good films… Read more »
The Unsung Dancers of Classic Hollywood
When it comes to the movie musical, there are two giants whose presences are inescapable: Fred Astaire and Gene Kelly. The impact of these legendary men cannot be overestimated — from movies to TV shows to music videos to commercials, Astaire and Kelly are still influencing pop culture and reaching new audiences every day. However,… Read more »
WhoWhatWhenWhere is Jamaican Film? A Primer
Guest post by Terri Francis. Jamaica’s history with motion pictures radiates in multiple directions within a broad aesthetic and geographic framework that reflects its transnational and multicultural realities. Such an approach challenges a number of conventions in both film studies and Caribbean studies. The division between nonfiction and fiction films becomes less important if we… Read more »
The Creative Spirit in Miss Hokusai
Guest post by Tyne Lowe. In the first thirty minutes of Miss Hokusai, artist O-Ei walks through Edo with her blind younger sister, O-Nao, and attempts to explain their father’s art to her. The viewer has been introduced to their father, Katsushiko Hokusai (referred to in the film as Tetsuzo), as a somewhat eccentric and… Read more »
Spatial Rhythms in Lau Kar-leung’s Dirty Ho
By now, it’s no secret among genre aficionados and admirers of Hong Kong cinema that Lau Kar-leung (1934-2013) was among the world’s finest practitioners of the martial arts film and, by extension, of the action film more broadly. Lau, a filmmaker of considerable artistic stature in his home country, is one of the more well-known… Read more »