Full transparency: all Blu-rays reviewed were provided by Imprint Films and Fun City Editions. Welcome to this month’s second installment of “Physical Media Isn’t Dead, It Just Smells Funny,” where we will be completing the balance of April’s frankly unique and welcomingly diverse crop of Blu-ray titles. For the remainder of the month we’ll… Read more »
Feature Articles
Physical Media Isn’t Dead, It Just Smells Funny: Criterion and Kino Lorber Blu-ray Reviews for April 2022
Full transparency: all Blu-rays reviewed were provided by Criterion and Kino Lorber. We’re going to try and get a little more focused on Physical Media Isn’t Dead and highlight a couple of distributors at a time instead of making you listen to an hour of stream-of-consciousness rambling — now you’ll only have to listen… Read more »
Musings on Henry Glassie: Field Work by Director Pat Collins and Writer Henry Glassie
Over the last 50 years, the celebrated American folklorist Henry Glassie has been writing in-depth studies of communities and their art. Inspired by the writings and ideas of Glassie, Henry Glassie: Field Work is an immersive and meditative documentary set among the rituals and rhythms of working artists across Brazil, Turkey, North Carolina, and Ireland…. Read more »
Hysterics, Hypnotism, and Hot Chocolate in Douglas Sirk’s Sleep, My Love
Guest post by Caleb Allison. Spoilers throughout! Douglas Sirk has become synonymous with lushly subversive melodrama wrapped in Technicolor brilliance, but before his nearly unbelievable string of melodramatic masterpieces in the 1950s, including Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), and Imitation of Life (1959), he conjured up a… Read more »
The Cinematic Wonders of Close Encounters of the Third Kind
“What makes a man leave bed and board And turn his back on home? Ride away, ride away, ride away.” — Stan Jones, theme song from The Searchers “Face to face…with something commensurate to his capacity for wonder.” — F. Scott Fitzgerald, The Great Gatsby Steven Spielberg loves The Searchers (1956). He has repeatedly cited… Read more »
Why Don’t We Talk About Jane Wyman Anymore?
As the leading lady in two of Douglas Sirk’s finest and most enduring melodramas, Magnificent Obsession (1954) and All That Heaven Allows (1955), it wouldn’t be entirely accurate to say that Jane Wyman is an actress forgotten to time. Then again, given that those two films represent but a small part of her varied… Read more »