Welcome to Score Keeping, a feature where I l dive into overlooked and highly praised songs, scores and soundtracks that accompany great films. Please press play. Let’s go back. The year is 1975 and relatively unknown actor Sylvester Stallone has just finished writing the first draft of Rocky in three days. He was inspired… Read more »
There is going to be a National Theatre Live broadcast of both parts of Angels in America: A Gay Fantasia on National Themes on August 5th and 12th at the IU Cinema. A recent rumor suggested that the current production in London might come to the Walter Kerr Theater in New York City for Broadway’s… Read more »
George Cukor, known as the “woman’s director” during Hollywood’s Studio Era, seems to have been a part of a vast number of Hollywood classics. He is, in fact, one of my own favorite directors, a handful of his films sitting in my list of favorites. It’s no wonder then that in my three years co-coordinating… Read more »
“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.” -James Baldwin One cliché… Read more »
The cinema of certain filmmakers has been more closely compared to poetry than narrative storytelling – often leaving gaps in time and space to give us, as viewers, the job of bringing our own interpretation, emotion, and personal history to complete the experience. This is certainly the case with experimental filmmakers like Jonas Mekas and… Read more »
This past semester, the IU Cinema has shown a number of films depicting strong females. On Thursday, February 23, it screened A Girl Walks Home Alone at Night (2014), the first feature film by Ana Lily Amirpour. In preparation for this screening I co-wrote a blog post celebrating Amirpour’s work and her visit to… Read more »