Guest post by Joan Hawkins, Associate Professor of Cinema and Media Studies at Indiana University. “For me, cinema is sorcery,” Nina Menkes says, “a creative way to interact with the world in order to rearrange perception and expand consciousness, both the viewers’ and my own.” To begin to understand her work, it’s important to take… Read more »
Bite-Sized Blogs
“The Most Alive of All”: Why Children of Paradise is the Grand Epic of Poetic Realism
The original American trailer for Children of Paradise (1945) called it France’s answer to Gone with the Wind, but there are so many better ways to describe this incredible film. You could spend hours discussing its beautiful recreation of 19th century Paris or its excellent cast. But more than anything it is one of the… Read more »
Film Style in Documentary Cinema
“In my mind, there isn’t as much distinction between documentary and fiction as there is between a good movie and a bad one.” — Abbas Kiarostami Cinema’s capacity to document the world around us, to faithfully create an indexical record of its spaces and happenings, is a tradition that’s been with us at least since… Read more »
Magnificent Bricolage: Works by Joseph Cornell
Since its inception in 2011, the Art and a Movie series, a partnership between IU Cinema and the Eskenazi Museum of Art, has done an excellent job of celebrating artists who worked in both cinema and other forms of visual art and design, among them Marcel Duchamp and Charles & Ray Eames. A fine candidate… Read more »
In Memoriam: Tommy Rall (1929-2020)
Tommy Rall was a man who defied gravity. Whether executing impossibly fast twirls, nimbly leaping through the air, or doing a series of stunningly intricate tap steps, Rall proved to be one of the best dancers Hollywood would ever see. And yet he never became the star he deserved to be. On October 6, at… Read more »
The Undeniable Power of Come and See
Why do people watch Come and See (1985), Russian director Elem Klimov’s film about a young man trying to survive World War II in what is now Belarus? The events of the film are so disturbing that they age its teenage protagonist Flyora and turn his hair white. The images that Klimov, his co-writer Adamovich,… Read more »